Bio

Born in Cleveland, Ohio
Lives and works in New York, NY
Education
1971-1972 Hunter College (toward an MFA), New York, NY
1965 Bennington College, BA, Bennington, VT
Public Collections
Albright Knox Art Gallery, Buffalo, NY
Asheville Art Museum, Asheville NC
Arizona State University Art Museum, Tempe, AZ
Bowdoin College Museum of Art, Brunswick, ME
The Brooklyn Museum, Brooklyn, NY
Carnegie Institute Museum of Art, Pittsburgh, PA
Cleveland Museum of Art, Cleveland, OH
Denver Art Museum, Denver, CO
Everson Museum, Syracuse, NY
Farnsworth Museum, Rockland, MA
Grey Art Gallery and Study Center, New York, NY
Solomon R. Guggenheim Museum, New York, NY
Hirshhorn Museum and Sculpture Garden, Washington, DC
Library of Congress, Washington, DC
Metropolitan Museum of Art, New York, NY
Middlebury College Museum of Art, Middlebury, VT
MIT, Cambridge MA
Mount Holyoke College Art Museum, South Hadley, MA
Munson Williams Proctor Arts Institute, Utica, NY
Orlando Museum of Art, Orlando FL
The Phillips Collection, Washington, DC
Portland Museum, Portland, ME
University Art Museum, CSULB, Long Beach, CA
University of Maine, Museum of Art, Bangor, MA
Weatherspoon Art Gallery, Greensboro, NC
Worchester Art Museum, Worchester, MA
Solo Exhibitions
2017 Guantanamo and Black Sites; In Our Name, Fairfield University Art Museum, Fairfield, CT
2009 Susan Crile, Project Room, Michael Steinberg Fine Art, New York, NY
2007 Abu Ghraib: Abuso di Potere: Museo di Roma in Trastever, Rome, Italy
Abu Ghraib: Abuso di Potere; Museo di Palazzo Mocenigo, Venice, Italy
2006 Susan Crile, Recent History, Michael Steinberg Fine Art, New York, NY
Abu Ghraib, the Abuse of Power, The Bertha and Karl Leubsdorf art Gallery at Hunter College, NY
2004 JG | Contemporary / James Graham & Sons, NY
1998 James Graham & Sons, NY
1995 James Graham & Sons, NY
The Fires of War, The Federal Reserve Board, Washington DC
The Fires of War, National Council for Culture, Art and Letters, Kuwait City, Kuwait
The Fires of War, The Herbert Johnson Museum, Cornell University, Ithaca, NY
The Fires of War, Middlebury College Museum of Art, Middlebury, VT
1994 Harvard University Graduate School of Design, Cambridge, MA in conjunction with The Boston Philharmonic Orchestra Harcus Gallery, Boston, MA
The Fires of War, Saint Louis Art Museum, St. Louis, MO
The Fires of War, Blaffer Gallery, The University of Houston, Houston, TX
The Fires of War, University Art Museum, California State University, Long Beach, CA
1990 Graham Modern, New York, NY
1988 Gloria Luria Gallery, Bay Harbor Island, FL
Graham Modern, New York, NY
1987 Gloria Luria Gallery, Bay Harbor Island, FL
Graham Modern, New York, NY
1986 Adams Middleton Gallery, Dallas, TX
1985 Graham Modern, New York, NY
1984 Nina Freudenheim Gallery, Buffalo, NY
Ivory Kimpton Gallery, San Francisco, CA
Cleveland Center for Contemporary Art, Cleveland, OH
1983 Van Straaten Gallery, Chicago, IL
Lincoln Center Gallery, New York, NY
1982 Janie C. Lee Gallery, Houston, TX
Mattingly/Baker, Dallas, TX
Carson Sapiro, Denver, CO
1981 Ivory Kimpton Gallery, San Francisco, CA
1980 Droll Kolbert Gallery, New York, NY
1978 Center Gallery, Bucknell University, Lewisburg, PA
Droll Kolbert Gallery, New York, NY
1977 Fischbach Gallery, New York, NY
The New Gallery, Cleveland, OH
1975 Brooke Alexander Gallery, New York, NY
Fischbach Gallery, New York, NY
The Phillips Collection, Washington, D.C.
1974 Fischbach Gallery, New York, NY
1973 Fischbach Gallery, New York, NY
1972 Fischbach Gallery, New York, NY
1971 Fischbach Gallery, New York, NY
Selected Group Exhibitions
2015 “Manifest Justice”, Art for Amnesty, Los Angeles, CA
“Shared Traditions”, Munson Williams Proctor Arts Institute, Utica, NY
2014 “Womanshow 2014: Contemporary Art: Sprightwood Galleries, Upton, MA
2013 (M)other Natures:Natural History in Contmeporary Art, Munson Williams Proctor Museum, Utica, NY
Stewart & Stewart Impressions: Gallery 72, Omaha, Nebraska
2012 “Stewart & Stewart”, Ann Arobor Art Center, Ann Arbor, MI
2011 Cities of New York, Musei Capitolini-Centrale Montemartini, Rome, Italy
Esteban Vicente: Portrait of the Artiat: Parrish Art Museum, Southampton, NY
2010 Pieces of 9: Reframing the collection, University Art Museum CSLUB, Long Beach CA
Real and Abstract: Contemporary Art from the Farnsworth, The Farnsworht Museum, Rockland, ME
The Art of Captivity, joint exhibition Fordham University and SEFA gallery, NYC, NY
2009 Trouble in Paradise: Examining Discord Between Nature and Society: Tucson Museum of Art, Tucson, AZ
2008 War As a Way of Life: 18th Street Arts Center, Santa Monica, CA to:Night: ˆHunter College Art Galleries, Hunter College, CUNY. New York, NY
Independent Visions/ Feminist Perspectivies, Mishkin Gallery, Baruch College, CUNY, NY
Cryptoroeal: Art And Myth, Francis Lewis Gallery at St. George’s Church, Queens, NY
2007 Feel the Love; MOCA, Cleveland, OH
Accidental Real, Sarah Tecchia Raoma, New York, New York, NY
The Art of Giving, Collection of Jau & Jean Kislak, The Cleveland Clinic Art Program, Cleveland, OH
The Dean’s Gallery: Selections from the Collection, MIT List Visual Arts Center, Cambridge, MA
2005 “Drawn to Cleveland”, MOCA, Cleveland, OH
“The Art of the Screenprint”, Detroit Institute of Art, Detroit, MI
2004 “Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, Lehman College,CUNY, Bronx, NY & Wayne State University, Detroit, MI
“Polytechnic”, Michael Steinberg Fine Art, New York, NY
2002 “177th Annual Exhibition,” The National Academy of Design, New York, NY
“Shark’s Ink, 1976-2001, a 25 Year Retrospective,” Gallery of Contemporary Art, University of Colorado Springs, CO
“Stewart & Stewart Works on Paper,” Smith Andersen Editions, Palo Alto, CA
“Faculty Small Works Show,” The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY
2001 “When this you see remember me…Prints by Contemporary Women Artists from the Collection,” University of Arizona Museum of Art, Tempe, AZ
2000 “Friendships in Arcadia: Writer and Artists at Yaddo in the 90s,” Art in General, New York, NY and The Hyde Collection, Glen Falls, NY
“Small Works,” Nina Freudenheim Gallery, Buffalo, NY
“Hunter College Faculty Exhibition,” Times Square Gallery, New York, NY
“Stewart & Stewart Printer/ Publisher of fine Prints”, Madonna University, Livonia, MI
1999 “Invitational Exhibition of Painting and Sculpture,” American Academy of Arts and Letters, New York, NY
1998 “Oil Patch Dreams: Images of the Petroleum Industry,” Art Museum of Southeast Texas, Beaumont, TX; Art Museum of South Texas, Corpus Christi, TX; Museum of the Southwest, Midland, TX; El Paso Museum Museum of Art, El Paso, TX; Wichita Falls Museum and Art Center, Wichita Falls, TX (catalogue)
1997 “Abstraction Index,” Condeso/Lawler Gallery, New York
1995 “American Art Today: Night Paintings,” The Art Museum at Florida International, University, Miami, FL
1994 “46th Annual Academy Purchase Exhibition,” American Academy of Arts and Letters, New York, NY
1993 “First Sightings: Recent Modern and Contemporary Acquisitions,” The Denver Art Museum, Denver, CO
“25 Years,” The Cleveland Center for Contemporary Art, Cleveland, OH
“100 Years Anniversary,” The Denver Art Museum, Denver, CO
1992 “Abstract Painting: The 90’s,” curated by Barbara Rose, Andre Emmerich Gallery, New York, NY
“One Press Multiple Impressions: Vinal Haven at Bowdoin, Bowdoin College Museum of Art, Brunswick, ME
“The Depicted Unknown,” The William Procter Art Gallery, Bard College, Annandale-on-Hudson, New York, NY
1991 “Collaboration in Print.: Stewart and Stewart Prints: 1980 1990”, Traveling exhibition: Detroit Institute of Art, Detroit, MI; Cleveland Museum of Art, Extension Division, Lakewood, OH; The Nelson Atkins Museum of Art, Kansas City, MO
“Black and White,” Nina Freudenheim Gallery, Buffalo, NY
1990 “Artists for Amnesty,” Blum Helman Gallery, New York, NY
“The 1980’s Prints from the Joshua P. Smith Collection,” The National Gallery of Art, Washington, D.C.
“Beijing/New York: Works on Paper,” Neilsen Gallery, Boston, MA
“50 years of Collecting Art At IBM,” IBM Gallery of Science and Art, New York, NY
“Vinalhaven: the First Five Years,” Museum of Art, Bates College, Lewiston, ME
1987 “The Art of Music”, The Bronx Museum of Art and Krasdale Foods, Inc., New York, NY exhibition curated by Marsha Clark, under the auspices of the Hudson River Museum, New York
1986 “Abstraction: New Points of View”, Norma Haime Gallery, New York
“After Matisse”, exhibition organized by Independent Curators Inc., traveled to: Queens Museum, New York; Chrysler Museum, Norfolk, VA; Portland Museum of Art, Portland, ME; Bass Museum, Miami, Fl; Phillips Collection, Washington, D.C., Danforth Art Institute, Danforth, OH; Worcester Art Museum, Worcester, MA
“Monumental Space Variations”, One Penn Plaza, New York, NY
“70’s into 80’s: Printmaking Now”, Boston Museum of Fine Arts, Boston, MA
“Art from the City University of New York: Approaches to Abstraction,”
The Shanghai Exhibition Center, Shanghai, China
“Vinalhaven Press: 1984 1986”, Portland, ME
1985 “Large Drawings”, Exhibition organized by Independent Curators, Inc., traveling to: Bass Museum, Miami Beach, FL; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman McKenzie Art Gallery, University of Regina,Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Alaska; Santa Barbara Museum of Art, Santa Barbara, CA; Madison Art Center, Madison, WI
“American Art Now! Paintings in the 1980s”, Columbus Museum of Arts and Sciences, Columbus, GE
“Bud Shark Limited, Contemporary Prints”, University Art Galleries, Wright State University, Dayton, OH
“Messages of ’85”, Light Gallery, New York, NY
“A Decade of Visual Arts at Princeton: Faculty 1975 1985”, The Art Museum,Princeton University, Princeton, NJ
“Large Drawings”, Independent Curators, New York, NY
“Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and its Influence on Contemporary Art”, Philadelphia Art Alliance, Philadelphia, PA
“Tamarind 25th Anniversary Exhibition”, Assoc. American Artists, Buffalo, NY
1984 “Works on Paper”, Weatherspoon Gallery, Greensboro, NC
“Contemporary Triptychs”, Edith C. Blum Art Institute, Bard College, Annandale on Hudson, New York
“Luxe Calme et Volupte: Nine Abstract Artists and their Use of Color”, Contemporary Art at One Penn Plaza, New York, NY
“Collector’s Choice, 1984”, Marion Koogler McNay Art Museum, San Antonio, TX
“Large Drawings,” organized by Independent Curators, traveled to five museums in Canada and the USA
1983 “Exceptions: Six Artists”, Pratt Institute Gallery, Brooklyn, NY
“22nd National Print Exhibition,” Institute of Contemporary Art, University of Pennsylvania, Philadelphia
“The American Artist as Printmaker”, The Brooklyn Museum, Brooklyn, NY
1983 “Exceptions: Six Artists”, Pratt Institute Gallery, Brooklyn, NY
“22nd National Print Exhibition,” Institute of Contemporary Art, University of Pennsylvania, Philadelphia
“The American Artist as Printmaker”, The Brooklyn Museum, Brooklyn, NY
1982 “Non Objective Art Six Artists,” Decker Gallery, College of Art, Baltimore, MD
“Block Prints”, Whitney Museum of American Art, New York, NY
1981 “Geometric Abstraction: A New Generation,” Institute of Contemporary Art, Boston, MA
“Recent Acquisitions: Prints, Drawings, and Photographs,” Museum of Art, Carnegie Institute, Pittsburgh, PA
“22nd National Print Exhibition,” The Brooklyn Museum, Brooklyn, NY
1980 “Contemporary Drawings and Watercolors, ”Memorial Art Gallery, University of Rochester, Rochester, NY
“American Drawing in Black and White: 1970 1980”, The Brooklyn Museum, Brooklyn, NY
1979 “A Great Big Drawing Show”, Institute of Art and Urban Resources, P.S.1, Long Island City, NY
“Print Publishing in America”, organized by USIA, traveled to Egypt, Israel, France
“American Painting: The Eighties, A Critical Interpretation,” Grey Art Gallery and Study Center, New York University, and traveled to Texas, France, Finland, West Germany, Austria, Israel, Hungary, Portugal
“The New American Painting I”, Janie C. Lee Gallery, Houston, TX
“American Painting Today”, Gloria Luria Gallery, FL
1978 “Brooke Alexander, A Decade of Print Publishing”, Boston University Art Gallery, Boston, MA
1977 “Critics Choice,” Lowe Art Gallery, Syracuse, NY and Munson- Williams Proctor of Art, Utica, NY
“Macdowell Colony Artists”, James Yu Gallery, New York, NY
1975 Princeton University Art Museum, Princeton, NJ
“Works on Paper”, Virginia Museum of Fine Art, Richmond, VA
“Hand Colored Prints”, organized by Brooke Alexander, Inc., circulated by Comprehensive Exhibition Services, Los Angeles, CA to 12 museums throughout the US and Canada
1974 “Painting and Sculpture Today”, Contemporary Arts Society, and the Indianapolis Museum of Art, Indianapolis, IN
1972 “Whitney Annual”, Whitney Museum of American Art, New York Contemporary Art Society, Indianapolis Museum of Art, Indianapolis, IN
1971 “Painting and Sculpture Today”, Indianapolis, IN
“Annual Invitational: Focus on Women”, Kent State University, Kent, OH
“The Art Institute of Chicago Annual”, The Art Institute of Chicago, Chicago, IL
“Unmanly Art”, Suffolk Museum, Stony Brook, NY
Selected Bibliography
2015 Sharma, Devika, “Visions of Punishment: On Susan Crile’s Abu Ghraib Drawings”, Invisibilities Stories: Surveillance, Transperancy and the Hidden in Contemporary Culture, edited by Kristin Veel and Henriette Steiner, publisher Peter Lang Verlags Gruppe
Blossom, Laurel, “Longevity”, Four Way Books, New York, NY
“Susan Crile: Between the Poles of Beauty and Horror” ,Interview at Tumblr, with Art for Amnesty (‘Manifest Justice’ exhibition) http://artforamnestyus.tumblr.com/post/118458158096/susan-crile-between-the-poles-of-beauty-and
2014 Amato, Pierandrea, In Posa: Abu Ghraib10 anni dopo, Edizioni Cronopio, Naples, Italy (Crile drawings & last chapter)
WNYC, Studio 360: Artist vs. the IRS, October 10, 2014 (radio)
Kennedy, Randy, “Tax Court Ruling is Seen as a Victory for Artists”, The New York Times, October 6, 2014
Amy, Marieve (Producer), “Study with the Best”, CUNY TV, December 29, 2014, January 1 & 4, 2014
2012 Dhage, Vrushali, Art Etc. (jouirnal), March 2012, India pp 10-12
2011 Ireland, Julia, “This Fragile Body: Susan Crile’s Abu Ghraib: Abuse of Power”, Torture and the Body,” University of Washington Press. Edited by Shampa Biswas and Zahi Zalloua
LOCUTORIO, Publicacion cuatrimestral, Marzo 2011, published in Mexico, Argentina, Venezuela, pp 15,16, 23, 24, 35, 36
Arzoumanian, Ana, “EL GENOCIDIO Y LO IREPRESENTABLE: Una Mirada pornografical“, LODEODORO: gaceta di critica y cultura, Universidad Nacional de Cordoba, Septembre de 2011
Sharma, Devika, Pictures of the American Prison: Art, Culture and Imprisonment in Contemporary America (translated from Danish). Tiderne Skifter press, Copenhagen, Denmark, Crile cover and Chapter 3
Concrete Improvisations: Collages and Sculpture ESTEBAB VICENTE, Interview with Susan Crile by Edward J. Sullivan, Grey Art Gallery, New York University, 2011, pp 110-114
2010 Tamarind Touchstones: Fabulous at Fifty: University Art Museum, University of New Mexico, University New Mexico Press, The Art of Captivity: Part Two, Susan Eley Fine Art, NYC, catalogue
2009 KULT-URO; Tids-Skrift for Moderne kultur, pp 13 & 44 Copenhagen, Denmark
Butler, Judith; FRAMES OF WAR: When Is life Grievable?, Verso press, CRILE cover
2008 Moreno, Judith, to:Night:Contemporary Representations of the Night, Hunter College Art Galleries, p111 & plate #XXXIX
Nefedova, Olga, -A Journey to the World of the Ottomans: The Art of Jean-Baptiste Vamour SKIRA, Milan, Italy
Interview: Mette Olsen with Devika Sharma, Politiken, (Crile image), Copenhagen, Denmark, Friday, 21 November
2007 Sharma, Devika, Torturtegninger: Susan Crile’s manovrer med mennesker Kritic , Nr. 183 April 2007, Copenhagen, Denmark
Bignardi, Irene, Loss of Innocence, Italian catalogue for Abu Ghraib:Abuso di Potere, Gangemi Editore, Rome, Italy
Book Cover for Exceptional State: Contemporary U.S.. Culture and the New Imperialism, editors Ashley, Dawson and Malini Johar schueller, Duke University Press, Durham & London
Maestosi, Danilo, I Fantasmi della Tortura nei Quadri di Susan Crile: Il Messaggero, July 15
Papaccio, Chiara, Iraq, arte che fa riflettere. Epolis Roma, June 27
De Sanctis,Francesca, Abu Ghraib, abuso di potere; L’Unita Roma, June 27
Brogi, Paolo, Tortura, Abusi e umiliazioni ad Abu Ghraib nelle opere dell’artista Susan Crile: Corriere Della Sera , Roma, June 24
Zenobio, Marina, Abu Ghraib, ventinove mmagini fra rabbia e orrore; Il Manifesto, June 29
2006 Scott, Andrea K., “Susan Crile”. The New York Times, p. E 36
Hayden-Guest, Anthony, “War and Paint”, Financial Times, London, England
Bischoff, Dan, “Images from Abu Ghraib”, Star-Ledger, Newark NJ
O The Oprah Magazine, October 2006, “Drawn from Memory”, p.78
Harper’s Magazine, February 2006, 5 images. pp 39-46
Danner, Mark: Bodies Under Stress: , catalogue, Abu Ghraib, Abuse of Power,The Bertha and Karl Leubsdorf Art Gallery at Hunter College, NY
2005 “Drawn from Cleveland” ( Catalogue), MOCA, Cleveland, OH
“Collaboration in Print, Stewart & Stewart Screenprints 25th Anniversary, Catalogue for the Detroit Museum of Art, pps. 22-25
2004 Sundell, Nina, “Images of Time and Place: contemporary Views of landscape”, Lehman college art Gallery, Bronx, NY
2003 Hughes, Betsy, “Hot Art: Susan Crile, The Fires of War” ( Catalogue), The university of Arizona Art Museum, Tucson, AZ
Rabinowitz, Jenny, “The Bombs Burning Glare” (Interview), The Bear Deluxe #20, p. 21-22
A New York Drawing Collection: 1991-2006 (Werner Karmarsky), Ed. by Amy Eshoo, Yale University Press
2002 Harper’s Magazine, (cover), September
National Academy of Design, the 177th Annual, catalogue, National Academy of Design, New York, page 23
Parnasus, (reproductions), Issue No. 2, 2001, published Fall 2002
Byrne, Chris, The Original Print, Understanding Technique in Contemporary Fine printmaking, Guild Publishing, Madison, WN, pages 104-105
Lapham, Louis, Theater of War, (cover), New Press, NY
2001 THE NATIONAL ENDOWMENT FOR THE ARTS Visual Artists’ Fellowship Program 1966-95, Abrams, Inc., Publishers in association with National Endowment for the Arts, pp. 21, 52, 146, 153
Cheever, Susan, “Friendships in Arcadia: Writers and Artists at Yaddo in the 90s,” The Corporation of Yaddo, p. 16-17
1999 Goodman, Jonathan, “Susan Crile at James Graham & Sons,” Art in America, July, pp. 98-99, illustrated
1998 Johnson, Ken, “Susan Crile,” The New York Times, 27 November
Newhall, Edith, “Talent,” New York Magazine, 30 November
Carraro, Francine. Oil Patch Dreams: Images of the Petroleum Industry in American Art, Art Museum of Southeast Texas, catalogue, page 39, plate 10
1997 Feliciano, Kristina. “Inspiring Artists: Susan Crile,” American Artist, January, illustrated
1995 Stevens, Mark. “Susan Crile,” New York Magazine, 17 April
Newhall, Edith. “The Fire This Time,” New York Magazine, 10 April
1994 Kalil, Susan. “Art of Darkness.” Houston Press, 7-13 January, p. 33
Shepley, Carol Ferring. “The Fires of Hell,” St. Louis Post-Dispatch, 24 April, pp. 4,13
McGee, Celia. “When Horror Meets Beauty.” The New York Times, 24 April, Arts and Leisure, Sec. 2, p.35
Bellos, Alexandra. “Oil Painting.” The Riverfront Times, 27 April – 3 May, pp. 72-73
Chadwick, Susan. “Artist Zeroes in on War.” Houston Post. 5 June, Lifestyle Section
Carter, Sharon. “Paintings Show War’s Horrors.” Houston Chronicle, 11 June, pp. 1,3,4
Johnson, Patricia. “The Fires of War”, The Houston Chronicle, 18 June, pp. 1, 4E
Frank, Elizabeth. “Susan Crile’s ‘The Fires of War’”, Art News, October, pp. 131-132
Colpitt, Frances. “Susan Crile at the Blaffer Gallery, University of Houston,” Art in America, October, p. 103
Anderson-Spivy, Alexandra. “Green Amnesia”, Argonaut, pp. 235-239
Brunskill, Joan. “Painter Finds Beauty in Horror of Oil Fires,” Associated Press (datestream) 11 November
Temin, Christine. “Art from the Field of Fire,” The Boston Globe 18 November
Strick, Jeremy. “Susan Crile: The Fires of War,” St. Louis Art Museum MO, April
Development and the Arts Franklin, Margery B. & Kaplan, Eds. Lawrence Erlbaum Associates, Publ., Hillsdale, NJ, Hove UK 1994 p. 165-191
Wilson, William. “Three Doses of Reality, Magic and Oddities,” The Los Angeles Times, 27 August p. F10
1993 25 Years: A Retrospective, Cleveland Cent. for Contemporary Art, Cleveland, OH
1992 Becker, David P. Vinalhaven at Bowdoin: One Press, Multiple Impressions, Bowdoin College, Museum of Art, Brunswick, ME
1991 Cotter, Holland. “Susan Crile at Graham Modern”, Art in America, January, p.131
Santlofer, Jonathan. “Fields of Fire”, (Vasari Diary), Art News, November, p.26
1990 “Susan Crile, Palio.” The Print Collector’s Newsletter, Volume XX, No. 6, Januarty/February
Mahoney, Robert. “Susan Crile”, Arts, September, p.101
Pardee, Hearne. “Susan Crile”, Artnews, October
Cohen, Ronny. “Susan Crile”, Artforum, October
Langer, Sandra. “Susan Crile Review”, Women Artist News, fall
Zanatta, Joseph E. Contemporary Print Portfolio; A Guide to Prices, New Editions and Sources, Bon A Tirer Publishers, pp. 80 81, fall
Harp, Ellen Collaborations in Print. Stewart and Stewart Prints: 1980 1990, Washtenaw Community College Foundation, Ann Arbor, MI, pp. 14 17
Leslie, Kenneth. Oil Pastel Materials and Techniques for Today’s Artist, Watson Kuptil Publications, NY pp. 9, 123
Exhibition Catalogue by Charles M. Ritchie with assistance from Thomas Coolsen, p.53 ,published by the National Gallery of Art, Washington, D.C.
1989 “Susan Crile, Oculus.” The Print Collector’s Newsletter, Vol. XIX, No. 6 January February
1988 Huntington, Richard. “Freudenheim show brilliantly displays that paper has arrived.” Gusto, 29 January
Langer, Cassandra. “Susan Crile.” Arts Magazine, Summer
Raynor, Vivien. “A Musical Theme Binds Together an Exhibition of Forty Works.” The New York Times, 4 December
Raynor, Vivien. “A Visual Dialogue with the Chinese.” The New York Times, 18 December
Raynor, Vivien. “Susan Crile.” The New York Times, 27 February
Field, Richard and Ruth Fine. A Graphic Muse: Prints by Contemporary American Women. New York: Hudson Hills Press. Exhibition catalogue
Clark, Marcia. The World is Round: Contemporary Panoramas. Yonkers, NY:The Hudson River Museum. Exhibition catalogue
1986 Ackerman, Martin. Smart Money and Art: Investing in Fine Art. Tarrytown, NY:Station Hill Press. pp. 1980 1985
1985 Brenson, Michael. “Luxe, Calme et Volupte.” The New York Times, 4 January
A Decade of Visual Arts at Princeton: Faculty 1975 1985. Princeton: The Art Museum of Princeton University, 1985. Exhibition catalogue
Bornstein, Benjamin. “Abstraction Continues to be Strong, Diverse.” O & E Newspapers, Detroit, MI, 4 April
Raynor, Vivian. “Susan Crile.” The New York Times, 5 April
Tamarind 25th Anniversary Exhibition. NY: Assoc. American Artists. Exhibition. Catalogue
Westfall, Stephen. “Susan Crile.” Art in America, July
Glueck, Grace. “Summer Yellows.” The New York Times, 26 July
Bass, Ruth. “Susan Crile.” Art News, September
Dreikhausen, Margaret. Aerial Perception: The Earth As Seen From Aircraft and Spacecraft and Its Influence onContemporary Art. Philadelphia: Art Alliance Press
Langer, Sandra. Susan Crile Recent Paintings. Graham Modern. Exhibition. Catalogue
1984 Frank, Elizabeth. Movable Light: Susan Crile’s Recent Paintings. Cleveland: Cleveland Center for Contemporary Arts. Exhibition catalogue
Johnson, Hillary. “Best Friends.” Vogue, July, p.232
Komanecky, Michael and Fabbri Butera. The Folding Image. New Haven: Yale University Press. Exhibition catalogue
Langer, Sandra. Susan Crile: Recent Paintings. Graham Modern, Exhibition catalogue
1983 Glueck, Grace. “Art: A Revival of Recognition for Six.” The New York Times, 28 January, p. C19
Brodsky, Judith K. and Ofelia Garcia. Printed by Women. Philadelphia: The Print Club, p. 27. Exhibition catalogue
D’Amboise, Jacques, Hope Cooke, and Carolyn George. Teaching the Magic of Dance. New York: Simon and Schuster, p. 102
Walker, Barry. The Artist as Printmaker, 23rd National Print Exhibition. Brooklyn: Brooklyn Museum, p. 49. Exhibition catalogue
1982 Glueck, Grace. “The Screen Comes Into Its Own.” The New York Times, 19 September, p. H27
1981 Baro, Gene. 22nd National Print Exhibition. Brooklyn: The Brooklyn Museum, pp. 6, 30 31. Exhibition catalogue
Phillips, Deborah C. “Susan Crile.” Art News, Vol. 80, No. 7, September, p. 158. Poling, Clark V. Geometric Abstraction: A New Generation. Boston: Institute of Contemporary Art, pp. 4, 8, 10. Exhibition catalogue
1980 Baro, Gene. American Drawing in Black and White :1970 1980. Brooklyn: The Brooklyn Museum. Exhibition catalogue
University of Rochester. Exhibition catalogue
Coopersmith, Georgia. Contemporary Drawings and Watercolors. Rochester: Frank, Elizabeth. “Susan Crile: The Shapes of Change 1975 1979.” Bennington Review, No. 7, April, pp. 46 59
Michel, Jacques. “Artistes Americains pour 1980.” Le Monde, 23 April, p.1
Zimmer, William. “Susan Crile.” SoHo Weekly News, 23 April, p. 60
Kramer, Hilton. “Susan Crile.” The New York Times, 2 May, p. C17
Frank, Elizabeth. “Susan Crile at Droll Kolbert.” Art in America, Volume 68, No. 8, October, p.130
Huntington, Richard. “Good Painters Extant.” Buffalo Courier Express, 26 October, pp. E1, E7
Muffoletto, Robert. “Susan Crile’s canvases inspire a double take.” The Buffalo Evening News, 7 November, p.12
1979 Stevens, Mark. “The Restless Seventies.” Newsweek. 26 March, p. 89
Perreault, John. “Susan Crile.” SoHo Weekly News, 27 September, p. 59
Tennant, Donna. “Technique Preoccupies Painters in Lee Gallery Show.” Houston Chronicle, 12 October
Tennant, Donna. “Art and the Critical Dilemma of Content.” Houston Chronicle, 28 October
Crossley, Mimi. “‘New American Painting,’ ‘Nature Morte’ and Prints by Joan Myers.” The Houston Post, 2 November, p. E16
Foster, Hal. “A Tournament of Rose’s.” Artforum, Volume XVIII, No. 3, November, pp. 62 67
Goldman, Judith. Print Publishing in America. Washington: United States Information Service. Exhibition catalogue
Rose, Barbara. American Painting of the Eighties: A Critical Interpretation Vista Press
1978 Raynor, Vivien. “Susan Crile.” The New York Times, 9 June, p. C17
Schwartz, Ellen. “Susan Crile.” Art News, September, p. 168
Goldman, Judith. “Touching Moonlight.” Art News, November, pp. 61 65
Lauterbach, Ann. “Susan Crile at Droll Kolbert.” Art in America, November/December, pp. 154 155
1977 Glueck, Grace. “Susan Crile.” The New York Times, 28 January, p. C16
Cullinan, Helen. “Susan Crile Explores Space.” Sunday Plain Dealer, Cleveland, 6 March, Section 5, p. 8
Cardozo, Judith Lopez. “Susan Crile.” Artforum, April, p. 66
1976 Seven Decades of MacDowell Artists. New York: The MacDowell Colony Inc. Exhibition catalogue
Frackman, Noel. “Susan Crile.” Arts, June, p. 5
Hoesterey, Ingeborg. “New York by Ingeborg Hoesterey Susan Crile.” Art International The Art Spectrum. Volume XIX/6, 15 June, pp. 75 76
Herrera, Hayden. “Susan Crile.” Artforum, September, p. 68
Forgey, Benjamin. “Susan Crile.” The Washington Star, 26 September, p. E2
Baker, Kenneth. “Susan Crile at Fischbach.” Art in America, Volume 63 No. 5, September/October, p. 104
1975 Murphy, Polly Wollcott. “Miss Crile Finds a Modern Painter’s Inspiration Here.” Vineyard Gazette, 7 November, Section 1
Baker, Kenneth. “Susan Crile: Abstracting the Image.” Arts Magazine, Dec., pp. 54 55
Goldman, Judith. Susan Crile. Washington: The Phillips Collection. Exhibition catalogue
Ratcliff, Carter. Hand Colored Prints. N.Y. : Brooke Alexander Inc. Exhibition catalogue
1974 Brant, Frederick R. Works on Paper. Richmond: Virginia Museum of Fine Arts
Goldman, Judith. “Hand Colored Prints 1973” Art News Vol. 73, No. 1, Jan., p. 50
Nochlin, Linda. “Some Women Realists: Part 1.” Arts Magazine, Vol. 48, No.5, February, pp. 46 51
Kelder, Diane “Prints: Artists’ Alterations.” Art in America, Mar/April, pp. 96 97
Gruen, John. “Susan Crile.” The SoHo Weekly News, June
Russell, John. “Susan Crile.” The New York Times, 1 June
Herrera, Hayden. “Susan Crile.” Art News, Volume 73 No. 7, September, pp.100 104
Warrum, Richard L. Painting and Sculpture Today, Indianapolis Museum of Art and the Taft Museum. p. 111. Exhibition catalogue
1973 Baro, Gene. The Way of Color. Washington: Corcoran Gallery of Art, pp. 4 5. Exhibition. catalogue
Crimp, Douglas. “Susan Crile.” Art News, Summer, p. 101
Forget, Benjamin. “The Biennial: Color as Poetry.” The Sunday Star and The Washington Daily News, 25 February, pp. G1, G8
Kramer, Hilton. “Susan Crile.” The New York Times, 5 May
Lippard, Lucy R. “Household Images in Art.” Ms Magazine, March, pp. 22 25
Perreault, John. “Susan Crile.” The Village Voice, 10 May
Ratcliff, Carter. Hand Colored Prints. New York: Brooke Alexander Inc., Exhibition catalogue
Richard, Paul. “A Luscious Color Feast.” Washington Post, 24 February, pp. D1 3
1972 The Art Institute of Chicago Annual. Chicago: Art Institute of Chicago. Exhibition catalogue
Baker, Kenneth. “Susan Crile.” Artforum, June, p. 84
Baur, John. 1972 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art. Exhibition catalogue
Henry, Gerrit. “Susan Crile.” Art News, Volume 71, No. 3, May, p.12
Mellow, James R. “Susan Crile.” The New York Times, 13 March
Rose, Barbara. “Living the Loft Life.” Vogue, Volume 160, No. 2, August, pp. 72 75, 124
Schjeldahl, Peter. “There’s No Touchdown but Chalk Up Plenty of Yardage.”, The New York Times, 2 April
Warrum, Richard L. Painting and Sculpture Today. Indianapolis: Indianapolis Museum of Art, p. 34. Exhibition catalogue
Weales, Gerald. “Susan Crile.” letter to the editor. The New York Times, 14 May, p. 24
1974 Elman, Richard. “Susan Crile.” Craft Horizons, August, p. 43
Kramer, Hilton. “Susan Crile.” The New York Times, 20 March
Pincus Witten, Robert. “Susan Crile.” Artforum, May, p. 77
Selected Awards and Grants
2009 Yaddo, Sarasota Springs, NY
2007 Bellogio Study and Conference Center, Rockefeller Foundation Residency Grant, Bellagio, Italy
2005 Yaddo, Sarasota Springs, NY
1999 Yaddo, Sarasota Springs, NY
1990 American Academy in Rome, Residence in Painting, Rome, Italy
Yaddo, Sarasota Springs, NY
1989-1990 National Endowment for the Arts Fellowship in Drawing
1982 National Endowment for the Arts Fellowship
1978 Yaddo, Sarasota Springs, NY
1975 Yaddo, Sarasota Springs, NY
1972 Archives of American Art, Oral History, Smithsonian Institute, Washington D.C.
Ingram Merrill Foundation Grant
MacDowell Colony, Peterborough, NH
1971 Yaddo, Sarasota Springs, NY
1970 Yaddo, Sarasota Springs, NY
Teaching Positions
2013-2014 Chair of the Department of Art and Art History, Hunter College, CUNY, New York, NY
1983-present Hunter College, CUNY, New York, NY
1983-1986 Barnard College, New York, NY
1980 University of Pennsylvania Graduate Program, Graduate Program, Philadelphia, PA
1976-1082 School of Visual Arts, New York, NY
1976-1982 Sarah Lawrence College, Bronxville, NY
1973-1976 Princeton University, Princeton, NJ
1972-1976 Fordham University at Lincoln Center, New York, NY
Organizations
2004-present Philoctetes Center: The Multidisciplinary Study of Imagination, (Advisory Board), New York, NY
Admissions Panel for the Visual Arts, Ranieri Foundation at Civitella, Italy
2003 Admissions Panel for the Visual Arts, The American Academy in Rome, New York, NY
1991-2004 Yaddo, Board of Directors, Saratoga Springs, NY
2000-present Fellow at the New York Institute of the Humanities (NYIH), NYU, New York, NY
1987 National Endowment for the Arts: Visual Arts Panel, Painting
National Endowment for the Arts: Overview Policy Panel for the Visual Arts
1985-present Yaddo, Member of the Corporation, Saratoga Springs, NY
1981 Representative to Hungary and Portugal for the United States International Communications Agency, accompanying exhibition “American Painting: The Eighties, A Critical Interpretation”
1979-1981 Board of Trustees, Bennington College, Bennington, VT